{"id":87,"date":"2026-02-19T20:56:33","date_gmt":"2026-02-19T11:56:33","guid":{"rendered":"https:\/\/kabukiguide.jp\/en\/?p=87"},"modified":"2026-03-20T11:27:57","modified_gmt":"2026-03-20T02:27:57","slug":"the-highlights-and-story-of-sugawara-denju-tenarai-kagami-terakoya-a-tale-that-cannot-be-told-without-tears","status":"publish","type":"post","link":"https:\/\/kabukiguide.jp\/en\/the-highlights-and-story-of-sugawara-denju-tenarai-kagami-terakoya-a-tale-that-cannot-be-told-without-tears\/","title":{"rendered":"\u201cThe Highlights and Story of Sugawara Denju Tenarai Kagami \u2013 Terakoya: A Tale That Cannot Be Told Without Tears\u201d"},"content":{"rendered":"\n<p>In a previous blog post, I wrote how irresistible both the morning and afternoon programs of the <strong>May Grand Kabuki<\/strong>\u2014the farewell performances at Osaka Shochikuza\u2014looked, and how I wanted to see them both!!<\/p>\n\n\n\n<p>Now, the same dilemma has struck again with the <strong>Osaka Shochikuza Farewell Performances, \u201cHonorable April Grand Kabuki.\u201d<\/strong> I want to see both shows here as well!!!<\/p>\n\n\n\n<p>The morning program features <em>Kejimura<\/em> (\u201cKetamura\u201d) with Shido and Seishiro, while the afternoon program stars Kataoka Nizaemon in <em>Sugawara Denju Tenarai Kagami \u2013 Terakoya<\/em>.<br>I truly want to see them both!!<\/p>\n\n\n\n<p>Ahh\u2026 what a delightful problem to have.<\/p>\n\n\n\n<p>So, I decided to refresh my memory with a DVD I had on hand.<\/p>\n\n\n\n<p>This time, I watched the <em>Terakoya<\/em> (\u201cThe Village School\u201d) scene\u2014the final and most celebrated act of the masterpiece <strong>Sugawara Denju Tenarai Kagami<\/strong>.<\/p>\n\n\n\n<p><em>Sugawara Denju Tenarai Kagami<\/em> is a classic of the kabuki repertoire that weaves together political intrigue in the capital, the exile of Lord Sugawara, and the unwavering loyalty and parental devotion of his retainers who risk their lives to protect his household. It is a work that combines dazzling theatrical beauty with deeply moving human drama.<\/p>\n\n\n\n<p>Because the full play runs for many hours, it is rarely performed in its entirety today. Instead, theaters usually select and present only the most highly regarded acts.<\/p>\n\n\n\n<p>Among them, the <em>Terakoya<\/em> scene is the most frequently staged\u2014and the most beloved\u2014of all.<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__icon -circle\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/kabukiguide.jp\/wp-content\/uploads\/2026\/01\/Gemini_Generated_Image_l894apl894apl894-1.png\" alt=\"\" class=\"c-balloon__iconImg\" width=\"80px\" height=\"80px\"><\/div><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>\u201cIf they were performed in full, the morning program would run about four hours, and the afternoon program just under four as well. It\u2019d be a full day\u2019s undertaking.\u201d<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n\n<p>\u201cTerakoya is a weighty scene packed into a single, compact act, where a parent faces the ultimate choice\u2014sacrificing their own child to save their lord\u2019s son\u2014and where the air grows taut at the moment the truth is revealed. Within this brief episode, the very essence of kabuki storytelling and emotional intensity is powerfully condensed.\u201d<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__icon -circle\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/kabukiguide.jp\/wp-content\/uploads\/2026\/01\/Gemini_Generated_Image_l894apl894apl894-1.png\" alt=\"\" class=\"c-balloon__iconImg\" width=\"80px\" height=\"80px\"><\/div><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>\u201cLet me say it straight away! On Kabushige\u2019s beginner-friendly scale, this one gets \u2605\u2605\u2605. It does take just a little bit of homework beforehand.\u201d<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n\n<h2 class=\"wp-block-heading\"><strong>\u201cSynopsis of <em>Sugawara Denju Tenarai Kagami \u2013 Terakoya<\/em><\/strong><\/h2>\n\n\n\n<p><em>The full synopsis of<\/em> <strong>Sugawara Denju Tenarai Kagami<\/strong> <em>is quite long, so for those who are interested, please see the link here.<\/em><\/p>\n\n\n<div class=\"swell-block-postLink\">\u6295\u7a3f\u304c\u898b\u3064\u304b\u308a\u307e\u305b\u3093\u3002<\/div>\n\n<div class=\"p-adBox -normal -border-off\" data-id=\"175\" data-ad=\"normal\"><div class=\"p-adBox__body\"><div class=\"p-adBox__img\"><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-9605472874778813\"\r\n     crossorigin=\"anonymous\"><\/script>\r\n<!-- \u30bf\u30a4\u30c8\u30eb\u3057\u305f -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:block\"\r\n     data-ad-client=\"ca-pub-9605472874778813\"\r\n     data-ad-slot=\"9431907817\"\r\n     data-ad-format=\"auto\"\r\n     data-full-width-responsive=\"true\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script><\/div><\/div><\/div>\n\n\n<h2 class=\"wp-block-heading\">Characters<\/h2>\n\n\n\n<p><strong>First, let\u2019s sort out the cast of characters.<\/strong><\/p>\n\n\n\n<p><strong>Lord Sugawara (Sugawara no Ason \/ Kan Sh\u014dj\u014d):<\/strong><br>He does not appear in this scene. He is the father of Kan Sh\u016bsai and has been exiled to a distant island through the schemes of Tokihira.<\/p>\n\n\n\n<p><strong>Fujiwara no Tokihira:<\/strong><br>He does not appear in this scene. A political rival of Lord Sugawara, he drives him from power through a conspiracy.<\/p>\n\n\n\n<p><strong>Matsu\u014dmaru \u2014 Matsumoto K\u014dshir\u014d:<\/strong><br>Because he knows the face of Lord Sugawara\u2019s son, Kan Sh\u016bsai, he is ordered to carry out the head inspection.<br>Owing loyalty to both Sugawara and Tokihira, he secretly carries out a plan with his wife, Chiyo, to save Kan Sh\u016bsai\u2019s life.<\/p>\n\n\n\n<p><strong>Chiyo \u2014 Band\u014d Tamasabur\u014d:<\/strong><br>The wife of Matsu\u014dmaru.<\/p>\n\n\n\n<p><strong>Takebe Genzo \u2014 Kataoka Nizaemon:<\/strong><br>A former retainer of Lord Sugawara and also his student of calligraphy. He was disowned for an illicit relationship with Tonami and now runs a village school in the mountains.<br>In the \u201cCalligraphy Transmission\u201d scene, he is summoned by Sugawara and receives the secret teachings of calligraphy, while secretly sheltering Kan Sh\u016bsai. Later, Tokihira orders him to present the boy\u2019s severed head, forcing Genzo to make the agonizing decision to choose a substitute from among his pupils.<\/p>\n\n\n\n<p><strong>Tonami \u2014 Nakamura Kanzabur\u014d:<\/strong><br>Genzo\u2019s wife. She once served as a lady-in-waiting to Son\u014d no Mae, but was disowned for her illicit relationship with Genzo and now runs the village school with him.<br>After learning of her husband\u2019s painful decision made in the name of loyalty, the two lament together the hardship and cruelty of life in service at court.<\/p>\n\n\n\n<p><strong>Kan Sh\u016bsai \u2014 Matsumoto Kintar\u014d:<\/strong><br>The young son of Lord Sugawara and Son\u014d no Mae. Though still a child, he is exceptionally gifted.<br>He is hidden away in Seri\u014d Village, living as if he were the child of Genzo and Tonami.<\/p>\n\n\n\n<p><strong>Shund\u014d Genba \u2014 Band\u014d Hikozabur\u014d:<\/strong><br>A red-faced warrior and retainer of Tokihira.<\/p>\n\n\n\n<p><strong>Son\u014d no Mae \u2014 Nakamura Tokiz\u014d:<\/strong><br>The lawful wife of Lord Sugawara and the mother of Kan Sh\u016bsai. She has always kept Genzo and Tonami in her thoughts, even after they were disowned for their transgression.<br>After Sugawara\u2019s downfall, she lives in hiding in Kita-Saga, but is later rescued by Matsu\u014dmaru and eventually reunited with Kan Sh\u016bsai.<\/p>\n\n\n\n<p><strong>Yodarekuri Yotar\u014d \u2014 Nakamura K\u014draiz\u014d:<\/strong><br>A noticeably large \u201cchild\u201d mixed in among the children at the school.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Terakoya \u2014 Synopsis<\/h2>\n\n\n\n<p>Set in a village school on the outskirts of the capital, in Seri\u014d Village, this celebrated scene depicts a fierce clash between loyalty to one\u2019s lord and the bonds between parent and child.<\/p>\n\n\n\n<p>Genzo (Kataoka Nizaemon) appears on the hanamichi, deep in troubled thought.<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__icon -circle\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/kabukiguide.jp\/wp-content\/uploads\/2026\/01\/Gemini_Generated_Image_l894apl894apl894-1.png\" alt=\"\" class=\"c-balloon__iconImg\" width=\"80px\" height=\"80px\"><\/div><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>He has been harshly ordered by Tokihira\u2019s retainer, Shund\u014d Genba, and by Matsu\u014dmaru himself to present the severed head of Kan Sh\u016bsai.<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n\n<p>When Genzo returns to the school, the children greet him cheerfully, but his mood remains dark. Then Tonami (Nakamura Kanzabur\u014d) introduces a new pupil, a boy named Kotar\u014d, who wishes to enroll. Seeing the refined look on the child\u2019s face, Genzo\u2019s expression suddenly softens.<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__icon -circle\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/kabukiguide.jp\/wp-content\/uploads\/2026\/01\/Gemini_Generated_Image_l894apl894apl894-1.png\" alt=\"\" class=\"c-balloon__iconImg\" width=\"80px\" height=\"80px\"><\/div><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>At that moment, Genzo realizes that Kotar\u014d could be used as a substitute for Kan Sh\u016bsai.<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n\n<p>When Tonami asks why he has suddenly changed, Genzo confides that he has been ordered to hand over the head of the boy they are hiding\u2014Kan Sh\u016bsai. His plan is to offer Kotar\u014d\u2019s head in his place.<br>If the deception is discovered, he is prepared to cut down Matsu\u014dmaru and escape; and if even that fails, he is resolved to take his own life together with Kan Sh\u016bsai.<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__icon -circle\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/kabukiguide.jp\/wp-content\/uploads\/2026\/01\/Gemini_Generated_Image_l894apl894apl894-1.png\" alt=\"\" class=\"c-balloon__iconImg\" width=\"80px\" height=\"80px\"><\/div><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>Matsu\u014dmaru, the second of three brothers, knows the face of Kan Sh\u016bsai. Yet he chooses to gamble that he will not see through the ruse.<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n\n<p>Still, the cruel reality of having to take the life of a newly enrolled, innocent child weighs heavily on both Genzo and Tonami. They lament, \u201cHow bitter a thing is service at court,\u201d and weep over their fate.<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__icon -circle\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/kabukiguide.jp\/wp-content\/uploads\/2026\/01\/Gemini_Generated_Image_l894apl894apl894-1.png\" alt=\"\" class=\"c-balloon__iconImg\" width=\"80px\" height=\"80px\"><\/div><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>Though it is for their lord, they must cut down a young child.<br>It is a heart-wrenching moment.<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n\n<p>Soon, Shund\u014d Genba arrives with the parents who have children at the school, come to retrieve them\u2014so that no one else\u2019s child will be mistakenly killed.<\/p>\n\n\n\n<p>A little later, Matsu\u014dmaru (Matsumoto K\u014dshir\u014d) arrives in a palanquin. He appears unwell, wearing a long, untrimmed wig and a bandage around his head\u2014signs of illness and exhaustion.<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>Though the scene is solemn, the oblivious Yodarekuri Yotar\u014d steals the show with his antics, providing a moment of comic relief.<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n\n<p>After the children are led away, Genba and Matsu\u014dmaru step inside to conduct the head inspection.<\/p>\n\n\n\n<p>From within, Genzo\u2019s cry of \u201cEi!\u201d is heard as he strikes down Kotar\u014d.<\/p>\n\n\n\n<p>Tonami staggers, and Matsu\u014dmaru himself reels and bumps into her. He strikes a bold pose and shouts, \u201cInsolence!\u201d<\/p>\n\n\n\n<p>Genzo presents the head in a box. After examining it, Matsu\u014dmaru declares it to be the head of Kan Sh\u016bsai. Believing their task complete, they depart.<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__icon -circle\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/kabukiguide.jp\/wp-content\/uploads\/2026\/01\/Gemini_Generated_Image_l894apl894apl894-1.png\" alt=\"\" class=\"c-balloon__iconImg\" width=\"80px\" height=\"80px\"><\/div><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>This is the most famous and gripping moment of the scene.<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n\n<p>Just as the danger seems to have passed, Kotar\u014d\u2019s mother, Chiyo, arrives to take her child home. Fearing the truth will be exposed, Genzo raises his sword to kill her.<\/p>\n\n\n\n<p>Chiyo stops the blade with her son\u2019s book satchel.<\/p>\n\n\n\n<p>She cries out,<br>\u201cHas my child served as a worthy substitute for Kan Sh\u016bsai? Tell me\u2014did it succeed? I want to know!\u201d<\/p>\n\n\n\n<p>Inside the satchel are burial robes and a banner inscribed with <em>Namu Amida Butsu<\/em>\u2014everything prepared for a funeral.<\/p>\n\n\n\n<p>At last, the truth is revealed: Kotar\u014d was in fact Matsu\u014dmaru\u2019s own son, and the entire plan had been devised by Matsu\u014dmaru himself to save Kan Sh\u016bsai.<\/p>\n\n\n\n<p>When Matsu\u014dmaru asks Genzo how Kotar\u014d faced his death, Genzo replies that when he told the boy he was to die in place of Kan Sh\u016bsai, the child calmly offered his neck and smiled.<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__icon -circle\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/kabukiguide.jp\/wp-content\/uploads\/2026\/01\/Gemini_Generated_Image_l894apl894apl894-1.png\" alt=\"\" class=\"c-balloon__iconImg\" width=\"80px\" height=\"80px\"><\/div><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>It is a scene no one can watch without holding back tears.<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n\n<p>Moved by the resolve of Matsu\u014dmaru and Chiyo, who sacrificed their own child for loyalty to their lord, Genzo, Tonami, and even the saved Kan Sh\u016bsai weep.<\/p>\n\n\n\n<p>In the end, Kan Sh\u016bsai departs with Son\u014d no Mae, the wife of Lord Sugawara, to seek refuge with Kakuj\u016b, while Matsu\u014dmaru and Chiyo carry Kotar\u014d\u2019s body toward Toribeno. Each goes their separate way.<\/p>\n\n\n\n<p>The tragic collision between devotion to one\u2019s lord and the love of a parent strikes the heart as one of the most moving scenes in all of kabuki.<\/p>\n\n\n\n<p>The act closes with the <em>iroha<\/em> procession and a final bold pose, and the curtain falls.<\/p>\n\n\n\n<p><em>Note: A \u201ckadobi\u201d is a fire lit at the gate to send off the spirits of the dead.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">After Watching <em>Terakoya<\/em><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Standout Role<\/h3>\n\n\n\n<p><strong>Kataoka Nizaemon<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Highlights<\/h3>\n\n\n\n<p><strong>The Head Inspection (Kubi-jikken)<\/strong><br>Matsu\u014dmaru\u2019s resolve and inner conflict as he examines what may be the head of his own child, Genzo\u2019s fear of being exposed and his readiness to strike if necessary\u2014within the stillness of the scene, a taut tension fills the air. The emotional turmoil of each character seeps through the smallest gestures and the slightest pauses.<\/p>\n\n\n\n<p><strong>The Presence of Chiyo<\/strong><br>Never stepping too far into the foreground, yet understanding everything, Chiyo\u2019s quiet bearing only heightens the weight of Matsu\u014dmaru\u2019s decision.<\/p>\n\n\n\n<p><strong>The \u201cIroha Okuri\u201d<\/strong><br>As Kotar\u014d\u2019s body is sent off, a famous passage of <em>giday\u016b<\/em> chanting known as the \u201cIroha Okuri\u201d is recited, adding a deeply moving poetic layer to the farewell.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Viewing Ratings<\/h3>\n\n\n\n<p><strong>Overall Satisfaction:<\/strong> \u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2606\u2606\u2606<br><strong>Beginner-Friendliness:<\/strong> \u2605\u2605\u2605\u2605\u2606\u2606\u2606\u2606\u2606\u2606<br><strong>Density of Highlights:<\/strong> \u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2606<br><strong>Emotional Impact:<\/strong> \u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2606<br><strong>Rewatch Value:<\/strong> \u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2605\u2606<\/p>\n\n\n\n<p><em>Note: These ratings reflect personal taste.<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Kabushige\u2019s Recommended Seating<\/h3>\n\n\n\n<p><strong>For a Full View of the Stage:<\/strong><br>Seats around the center, roughly rows 7\u20139, or the so-called \u201cTench\u014d Seats\u201d (the very front row of the second floor).<\/p>\n\n\n\n<p><strong>Seats Near the Hanamichi:<\/strong><br>You\u2019ll mainly see Genzo\u2019s entrance and the children leaving the school. These can be nice if your favorite actor is passing by, but personally, I recommend sitting closer to the center of the house.<\/p>\n\n\n<div class=\"swell-block-balloon\"><div class=\"c-balloon -bln-left\" data-col=\"gray\"><div class=\"c-balloon__icon -circle\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/kabukiguide.jp\/wp-content\/uploads\/2026\/01\/Gemini_Generated_Image_l894apl894apl894-1.png\" alt=\"\" class=\"c-balloon__iconImg\" width=\"80px\" height=\"80px\"><\/div><div class=\"c-balloon__body -speaking -border-none\"><div class=\"c-balloon__text\">\n<p>\u201cI came across an article in which Nizaemon spoke about his feelings for the role of Matsu\u014dmaru, a role that has been passed down through his father and grandfather.\u201d<\/p>\n<span class=\"c-balloon__shapes\"><span class=\"c-balloon__before\"><\/span><span class=\"c-balloon__after\"><\/span><\/span><\/div><\/div><\/div><\/div>\n\n<div class=\"swell-block-postLink\">\t\t\t<div class=\"p-blogCard -internal\" data-type=\"type1\" data-onclick=\"clickLink\">\n\t\t\t\t<div class=\"p-blogCard__inner\">\n\t\t\t\t\t<span class=\"p-blogCard__caption\">\u3042\u308f\u305b\u3066\u8aad\u307f\u305f\u3044<\/span>\n\t\t\t\t\t<div class=\"p-blogCard__thumb c-postThumb\"><figure class=\"c-postThumb__figure\"><img decoding=\"async\" src=\"https:\/\/kabukiguide.jp\/en\/wp-content\/uploads\/2026\/02\/202233233-300x200.jpg\" alt=\"\" class=\"c-postThumb__img u-obf-cover\" width=\"320\" height=\"180\"><\/figure><\/div>\t\t\t\t\t<div class=\"p-blogCard__body\">\n\t\t\t\t\t\t<a class=\"p-blogCard__title\" href=\"https:\/\/kabukiguide.jp\/en\/sannin-kichisa-tomoe-no-shiranami%ef%bc%88%e4%b8%89%e4%ba%ba%e5%90%89%e4%b8%89%e5%b7%b4%e7%99%bd%e6%b5%aa%ef%bc%89%ef%bc%9aa-classic-kabuki-tragedy-explained\/\">Sannin Kichisa Tomoe no Shiranami\uff08\u4e09\u4eba\u5409\u4e09\u5df4\u767d\u6d6a\uff09\uff1aA Classic Kabuki Tragedy Explained<\/a>\n\t\t\t\t\t\t<span class=\"p-blogCard__excerpt\">Sannin Kichisa Tomoe no Shiranami \u2013 Story Summary Sannin Kichisa Tomoe no Shiranami is one of the most famous kabuki plays, known for its beautiful language,&#8230;<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\n<div class=\"swell-block-postLink\">\t\t\t<div class=\"p-blogCard -internal\" data-type=\"type1\" data-onclick=\"clickLink\">\n\t\t\t\t<div class=\"p-blogCard__inner\">\n\t\t\t\t\t<span class=\"p-blogCard__caption\">\u3042\u308f\u305b\u3066\u8aad\u307f\u305f\u3044<\/span>\n\t\t\t\t\t<div class=\"p-blogCard__thumb c-postThumb\"><figure class=\"c-postThumb__figure\"><img decoding=\"async\" src=\"https:\/\/kabukiguide.jp\/en\/wp-content\/uploads\/2026\/02\/a09b028f3530f292d3120f4ecdef1ec0-300x200.png\" alt=\"\" class=\"c-postThumb__img u-obf-cover\" width=\"320\" height=\"180\"><\/figure><\/div>\t\t\t\t\t<div class=\"p-blogCard__body\">\n\t\t\t\t\t\t<a class=\"p-blogCard__title\" href=\"https:\/\/kabukiguide.jp\/en\/kabuki-theater-tochiri-or-sajiki-the-seats-we-really-recommend\/\">Kabuki Theater: Tochiri or Sajiki? The Seats We Really Recommend<\/a>\n\t\t\t\t\t\t<span class=\"p-blogCard__excerpt\">\u2014 A Complete Guide to Tochiri, Tenran, Sajiki, and Seats Along the Hanamichi \u2014 &#8220;Which seat is the best when going to see Kabuki?&#8221;This is a question we often &#8230;<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>In a previous blog post, I wrote how irresistible both the morning and afternoon programs of the May Grand Kab [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":88,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"swell_btn_cv_data":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-87","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experience-reviews"],"_links":{"self":[{"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/posts\/87","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/comments?post=87"}],"version-history":[{"count":3,"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/posts\/87\/revisions"}],"predecessor-version":[{"id":195,"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/posts\/87\/revisions\/195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/media\/88"}],"wp:attachment":[{"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/media?parent=87"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/categories?post=87"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kabukiguide.jp\/en\/wp-json\/wp\/v2\/tags?post=87"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}